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	<title>Comments on: Periplum</title>
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		<title>By: old pajamas</title>
		<link>http://www.thehaikufoundation.org/2009/05/17/periplum-intro/comment-page-1/#comment-1810</link>
		<dc:creator>old pajamas</dc:creator>
		<pubDate>Thu, 28 Jan 2010 02:14:21 +0000</pubDate>
		<guid isPermaLink="false">http://thehaikufoundation.org/?p=1346#comment-1810</guid>
		<description>sorry, a misspelling...

more like water than water
graylings arch for damselflies</description>
		<content:encoded><![CDATA[<p>sorry, a misspelling&#8230;</p>
<p>more like water than water<br />
graylings arch for damselflies</p>
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		<title>By: old pajamas</title>
		<link>http://www.thehaikufoundation.org/2009/05/17/periplum-intro/comment-page-1/#comment-1809</link>
		<dc:creator>old pajamas</dc:creator>
		<pubDate>Thu, 28 Jan 2010 02:10:24 +0000</pubDate>
		<guid isPermaLink="false">http://thehaikufoundation.org/?p=1346#comment-1809</guid>
		<description>more like water than water
graylings arch for damseflies</description>
		<content:encoded><![CDATA[<p>more like water than water<br />
graylings arch for damseflies</p>
]]></content:encoded>
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		<title>By: Alegria Imperial</title>
		<link>http://www.thehaikufoundation.org/2009/05/17/periplum-intro/comment-page-1/#comment-1802</link>
		<dc:creator>Alegria Imperial</dc:creator>
		<pubDate>Sun, 24 Jan 2010 17:51:23 +0000</pubDate>
		<guid isPermaLink="false">http://thehaikufoundation.org/?p=1346#comment-1802</guid>
		<description>Thank you for pulling out &quot;periplum&quot;, a welcome world, out of the haze where so much poetry has made dense--so much so that finding a voice which resonates with mine has rendered me deaf. As I step deeper and deeper into the haze, I&#039;m realizing why I can&#039;t seem to find my voice or why words seem paltry--I&#039;m using a borrowed language and trying to jam my spirit into it. Thank you thus, for reassuring me that perhaps it&#039;s still possible for me to reach the clearing if with courage I could begin to create a world that&#039;s mine, not borrowed.</description>
		<content:encoded><![CDATA[<p>Thank you for pulling out &#8220;periplum&#8221;, a welcome world, out of the haze where so much poetry has made dense&#8211;so much so that finding a voice which resonates with mine has rendered me deaf. As I step deeper and deeper into the haze, I&#8217;m realizing why I can&#8217;t seem to find my voice or why words seem paltry&#8211;I&#8217;m using a borrowed language and trying to jam my spirit into it. Thank you thus, for reassuring me that perhaps it&#8217;s still possible for me to reach the clearing if with courage I could begin to create a world that&#8217;s mine, not borrowed.</p>
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		<title>By: Periplum #3 &#124;</title>
		<link>http://www.thehaikufoundation.org/2009/05/17/periplum-intro/comment-page-1/#comment-364</link>
		<dc:creator>Periplum #3 &#124;</dc:creator>
		<pubDate>Mon, 20 Jul 2009 17:18:50 +0000</pubDate>
		<guid isPermaLink="false">http://thehaikufoundation.org/?p=1346#comment-364</guid>
		<description>[...] Periplum returns this month with the series&#8217; third installment. This time it is a sampling of work by Masahiro Koike—work that I think will be exciting, inspiring and challenging for haiku enthusiasts in subject matter as well as expression and the way the poems play along the edges of what senryū (and haiku) are and can be. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Like Envoys, Periplum is a section that is devoted to 20th and 21st century non-English haiku. Periplum, however, is overseen by David G. Lanoue. For an introduction to this section, see Periplum. [...]</description>
		<content:encoded><![CDATA[<p>[...] Periplum returns this month with the series&#8217; third installment. This time it is a sampling of work by Masahiro Koike—work that I think will be exciting, inspiring and challenging for haiku enthusiasts in subject matter as well as expression and the way the poems play along the edges of what senryū (and haiku) are and can be. &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Like Envoys, Periplum is a section that is devoted to 20th and 21st century non-English haiku. Periplum, however, is overseen by David G. Lanoue. For an introduction to this section, see Periplum. [...]</p>
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