January 2010

What Was Your Favorite Haiku of 2009?

by Scott Metz on January 6, 2010


The Haiku Foundation is indeed a year old, and troutswirl is about 8 months old (does that mean it’s still in the womb)?

In any case, during the last 8 months, a tremendous amount of haiku have been shared through troutswirl‘s main sections (Virals, Envoys, Periplum, Sails, Headsets, Fluences, with more to come), Allan Burns’ Montage series, various other blogposts, and also, most importantly, through the comments you, as readers, have left to further and deepen the conversation (1,250 and counting).

The diversity of the haiku shared during 2009 was quite staggering, the range high and wide. All of which can now be viewed at THF Haiku Archives.

As a way to both reflect and celebrate this achievement, I thought it would be exciting to invite troutswirl readers to revisit this large collection of work and share a favorite from it.

What particular poem from the 2009 archive resonated with you most?

In addition, I thought it would be fun to ask you this: what was your very favorite haiku published in 2009?

Pull out those print-journal issues, reclick those e-zines, and share something that really stuck out for you.




The Haiku Foundation: Our First Anniversary!

by Jim Kacian on January 6, 2010

One year ago, on January 6, 2009, the Commonwealth of Virginia officially chartered The Haiku Foundation as a corporation eligible to do business. It took us a couple months to begin to present our vision of an organization dedicated to haiku itself, implemented through a series of projects which involved all who wished to participate, and which took the history of English-language seriously. Since that time, thousands have become aware of the kinds of information and services which might be found here, and have not only taken advantage, but have added their own contributions and vision as well. The result was that our first year far outstripped our most extravagant expectations—we served more people, offered more opportunities, and furthered the discussion about haiku in the world than we would have had the courage to predict.

You all know some of those offerings: the eclectic and many-faceted blog, featuring regular offerings from many prominent haiku poets and interaction with hundreds more; a haiku calendar to keep us apprised of what was happening as well as the hows and whys; unique and thought-provoking content such as the highly-acclaimed Montage series; and, not least, the user-friendly and attractive website which serves as a water cooler for our far-flung constituency. And as is typical of such endeavors, we can hardly believe that it’s been a whole year—it has seemed so much shorter.

We have been delighted that you have been part of the life and success of the Foundation, and we hope we will be able not only to continue to serve you as we’ve done heretofore, but to expand upon our offerings. For this we must rely upon you—THF is a series of projects which come to fruition in this special atmosphere. If you have a project you think would serve haiku, then we want to hear about it, and help you realize it. That’s what we do, and by serving such interests, we believe we serve haiku in the long term as well as the short.

In celebration of our first anniversary, we have several new projects to announce, and we hope you’ll participate in them all—that’s what they’re here for. And of course we want your feedback as well—what do you like about what we’re doing? What not? Help us to improve our performance in serving you.

So here is some of what we have planned for this new year:

HaikuNow! International Haiku Contest 2010. We are planning to host two contests each year, one for adults (beginning today and running through March 31), and one for children, to be held in autumn. They will be promoted on FaceBook and Twitter as well as through the usual haiku channels. Our goal is to involve poets with haiku who have never tried it before, as well as serving the haiku community. To that end we offer three categories: Traditional (judged by former U. S. Poet Laureate Billy Collins!), Contemporary, and Innovative. Winners and runners-up will receice cash prizes and will be archived permanently on the site. Click here to go to the contest page to enter today.

THF Haiku Archives. The Haiku Foundation is about haiku, and the website hosted nearly 2000 of them last year. The Haiku Archive contains every one of them, available for your reading pleasure and contemplation. Click here to view the THF Haiku Archives for 2009.

Haiku Registry. We are a world-wide community, and we don’t always have the opportunity to meet all our compatriots in poetry. The Haiku Registry is a database of haiku poets from around the world, featuring a photo, highlights of their haiku careers, and samples of their work. There are also links to their sites and ways to connect. We expect this will be one of our most popular features in no time. Click here to go to the Haiku Registry page, and to sign up to be included.

Juxtapositions. There never has been a journal dedicated to the scholarly pursuit of haiku in English—until now. Juxtapositions, is a colloquy with those attempting to see haiku in all its historical resonance, and in light of contemporary academic pursuits. It will feature papers on the ways haiku is being read and studied, and to what purposes, as well as contemporary work. The senior editor is Tom D’Evelyn. The first issue is schedule to appear in Autumn 2010. Click here to see the latest information on where to submit your ideas and papers for publication.

Montage Archive. Montage has been one of our most cherished features. We think it will have lasting resonance in the way haiku is presented and considered for years to come. Sadly, the series has run its course, but the complete set is available in the Montage Archives, which you can download and read at your leisure. Click here to go to the Montage Archives page.

And very soon you will see a redesigned look to The Haiku Foundation slideshow.

We have other projects in the works as well, and of course all the things you have found in the past you will continue to find here. Welcome to our First Anniversary celebration, enjoy the offerings, tell us how you feel about them. We are very happy to have you here with us.

Jim Kacian

Founder

Looking for Montage?

by Dave Russo on January 5, 2010

Montage, the haiku gallery edited by Allan Burns, is one of the most popular features on our site. However, Winter (II) was the final gallery in the Montage series, so we moved Montage from the main menu to our new Publications section. To access Montage in its new location, go to any page on our site and select Publications > Montage Archive from the main menu.

The new URL is: http://www.thehaikufoundation.org/publications/montage/

Haiku Time: an iPhone Haiku Generator

by Scott Metz on January 3, 2010


Some haiku news from Jim Kacian:

A young programmer (and Yale student), Luke Bradford, has created a haiku generator application for the iPhone and iPod Touch, called Haiku Time.

He has tried to improve on the somewhat nonsensical haiku created by truly ‘random’ generators (for example, the one at http://www.everypoet.com/haiku/default.htm). To accomplish this, he’s chosen a vocabulary which is meant to fit together seamlessly—lots of nature terms and overt techniques such as personification. Rather than use dictionaries of words he’s composed its vocabulary by hand, testing to ensure that each combination meshes appropriately. In this sense, it’s not so much a random generator as a set of chosen words and phrases, yielding tens of millions of possibilities, but all under the constraints of grammar, syntax, seasonal vocabulary and a specific aesthetic. The results are simple, neither as precise nor as varied as human-written haiku, but still pleasing if not completely original.

Haiku Time is certainly a limited tool but is interesting in the way it experiments with the notion of intentionality in art. Here are some haiku that Haiku Time has generated:


Snow by the meadow
Sighing gently with the stars
The voice of the clouds


Spring day on the shore
The night laughing to the sea
Tell me of the dawn


Rose in the sunlight
Writing love songs to the sky
Murmurs of the past


You can see a demonstration video of Haiku Time on YouTube.

There are also sample haiku, further description, and updates on the developer’s blog, Luke Bradford: iPhone Apps.

The Haiku Foundation will be in conversation with Bradford to discover the possibility of creating a haiku game, for iPhone and possibly larger platforms, though this is in the very earliest stages. We would welcome your input into what you might think would be fun and challenging in a haiku game, and will keep you apprised of our progress.




Happy New Year of the Tiger!

by Scott Metz on January 1, 2010


A happy new year and also a happy year of the tiger to you!

Being that it’s the year of the tiger, I thought it might be interesting to present a haiku with one stalking in it:




                                              わが湖あり日蔭真つ暗な虎があり

                                              waga umi ari hikage makkura na tora ga ari



                                              a lake in my heart
                                              on its banks prowls the shadow
                                              of a tiger all black


                                              —Kaneko Tōta




The above was found in the back of Ban’ya Natsuishi’s haiku collection A Future Waterfall (2nd revised edition, translated by Richard Gilbert, Stephen Henry Gill, Jim Kacian, David G. Lanoue & Ban’ya Natsuishi).

Natsuishi notes that this poem is “without any seasonal element” and believes it “was inspired by the depths of the author’s consciousness, and there were no links with Japanese feeling. The ‘tiger’ hidden in the Wilds of Mother Nature represents the author’s double.”

In addition, here is something Dimitar Anakiev recently wrote about it:

“The roots of the poem lie in the past, perhaps in the jungles far removed from Japan where many Japanese soldiers were sent to fight during WWII. This poem is in fact a kind of ‘inner landscape,’ examples of which we find in abstract painting but also in the classical music of Bach, Beethoven, Debussy, or Mahler, or in the poetry of Tomas Tranströmer, Juan Ramón Jiménez, and many other explorers of unknown mind” (“Unknown Mind in Haiku: Insights into the Nature of the Creation of Haiku,” Modern Haiku 40.1).

This was the haiku that came to my mind for the new year. What comes to yours?

Also, Don Wentworth had a little New Year’s Haiku/Tanka Challenge.