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	<title> &#187; Scott Metz</title>
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		<title>Essence #6 Featuring Rod Willmot</title>
		<link>http://www.thehaikufoundation.org/2011/01/23/essence-6/</link>
		<comments>http://www.thehaikufoundation.org/2011/01/23/essence-6/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 18:22:01 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=6111</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Carmen Sterba recently asked Rod Willmot, Canadian haiku poet and former publisher of Burnt Lake Press, about how he came to haiku, his influences, his evolution as a poet, and the beginnings of haiku in Canada. What follows are his answers, sans questions, [...]]]></description>
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		<slash:comments>6</slash:comments>
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		<title>Viral 8.3</title>
		<link>http://www.thehaikufoundation.org/2010/12/12/viral-8-3/</link>
		<comments>http://www.thehaikufoundation.org/2010/12/12/viral-8-3/#comments</comments>
		<pubDate>Sun, 12 Dec 2010 22:47:41 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Virals]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5827</guid>
		<description><![CDATA[Virals: a domino game of haiku selections and commentaries &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; (Viral 8.3) The Search By Rich Youmans &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;                                                         stars                                                         roof aerials facing                                                         different directions                                                                  Gonzalo Melchor I first saw this haiku in Acorn No. 17 (Fall 2006). I loved the dichotomy between the tangle of aerials, none in agreement—how human!—and the galaxies in their eternity [...]]]></description>
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		<slash:comments>2</slash:comments>
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		<title>Essence #5</title>
		<link>http://www.thehaikufoundation.org/2010/11/30/essence-5/</link>
		<comments>http://www.thehaikufoundation.org/2010/11/30/essence-5/#comments</comments>
		<pubDate>Wed, 01 Dec 2010 04:21:33 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5743</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Essence #5 Different Approaches to Haiku: Virgil &#038; Spiess By Carmen Sterba Then as now, poets found their voices in haiku through divergent styles in the first decades of the Haiku Movement. Let&#8217;s take a look at the diversity of the styles and [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>13th Sailing: What&#8217;s Your Edge?</title>
		<link>http://www.thehaikufoundation.org/2010/11/18/13th-sailing-whats-your-edge/</link>
		<comments>http://www.thehaikufoundation.org/2010/11/18/13th-sailing-whats-your-edge/#comments</comments>
		<pubDate>Fri, 19 Nov 2010 02:43:08 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Sails]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5684</guid>
		<description><![CDATA[Sails is a section is devoted to presenting questions for discussion and debate on the nature and possibilities of haiku. . . . 13th Sailing . . . BY Peter Yovu &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; *** Readers: I initially, mistakenly, posted an earlier version of Peter Yovu&#8217;s text for Sailing 13. I&#8217;ve now updated it with the text [...]]]></description>
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		<slash:comments>61</slash:comments>
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		<title>Periplum #12: Tito Andres Ramos</title>
		<link>http://www.thehaikufoundation.org/2010/11/11/periplum-12-tito-andres-ramos/</link>
		<comments>http://www.thehaikufoundation.org/2010/11/11/periplum-12-tito-andres-ramos/#comments</comments>
		<pubDate>Thu, 11 Nov 2010 15:44:49 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Periplum]]></category>

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		<description><![CDATA[Periplum is a section that is devoted to 20th and 21st century haiku from around the world Periplum #12: Meet Tito Andres Ramos BY Tom Painting I first met Tito Andres Ramos during the 2005-2006 school year when he was an exchange student from Santa Cruz, Bolivia studying at School of the Arts, in Rochester [...]]]></description>
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