<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title> &#187; Essences</title>
	<atom:link href="http://www.thehaikufoundation.org/category/essences/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.thehaikufoundation.org</link>
	<description></description>
	<lastBuildDate>Sat, 04 Feb 2012 15:41:09 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3</generator>
		<item>
		<title>Essence #6 Featuring Rod Willmot</title>
		<link>http://www.thehaikufoundation.org/2011/01/23/essence-6/</link>
		<comments>http://www.thehaikufoundation.org/2011/01/23/essence-6/#comments</comments>
		<pubDate>Sun, 23 Jan 2011 18:22:01 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=6111</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Carmen Sterba recently asked Rod Willmot, Canadian haiku poet and former publisher of Burnt Lake Press, about how he came to haiku, his influences, his evolution as a poet, and the beginnings of haiku in Canada. What follows are his answers, sans questions, [...]]]></description>
		<wfw:commentRss>http://www.thehaikufoundation.org/2011/01/23/essence-6/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Essence #5</title>
		<link>http://www.thehaikufoundation.org/2010/11/30/essence-5/</link>
		<comments>http://www.thehaikufoundation.org/2010/11/30/essence-5/#comments</comments>
		<pubDate>Wed, 01 Dec 2010 04:21:33 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5743</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Essence #5 Different Approaches to Haiku: Virgil &#038; Spiess By Carmen Sterba Then as now, poets found their voices in haiku through divergent styles in the first decades of the Haiku Movement. Let&#8217;s take a look at the diversity of the styles and [...]]]></description>
		<wfw:commentRss>http://www.thehaikufoundation.org/2010/11/30/essence-5/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Essence #4</title>
		<link>http://www.thehaikufoundation.org/2010/10/16/essence-4/</link>
		<comments>http://www.thehaikufoundation.org/2010/10/16/essence-4/#comments</comments>
		<pubDate>Sat, 16 Oct 2010 21:16:59 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5513</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Essence #4 The Explosion of Haiku Journals and Beginning of The Haiku Society of America By Carmen Sterba Numerous haiku journals came out one after another in the sixties in both the U.S. and Canada: 1963-68 &#8211; American Haiku was founded by James [...]]]></description>
		<wfw:commentRss>http://www.thehaikufoundation.org/2010/10/16/essence-4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Essence #3 (part 3)</title>
		<link>http://www.thehaikufoundation.org/2010/08/23/essence-3-part-3/</link>
		<comments>http://www.thehaikufoundation.org/2010/08/23/essence-3-part-3/#comments</comments>
		<pubDate>Mon, 23 Aug 2010 20:23:07 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5394</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Essence #3 (part 3) By Carmen Sterba Carmen Sterba&#8217;s Interview with Cor van den Heuvel 〜Part 3 of 3〜 Carmen Sterba: Does the fact that you read your early haiku in coffee houses cause you to be more dramatic in your readings? Would you [...]]]></description>
		<wfw:commentRss>http://www.thehaikufoundation.org/2010/08/23/essence-3-part-3/feed/</wfw:commentRss>
		<slash:comments>37</slash:comments>
		</item>
		<item>
		<title>Essence #3 (part 2)</title>
		<link>http://www.thehaikufoundation.org/2010/06/16/essence-part-2/</link>
		<comments>http://www.thehaikufoundation.org/2010/06/16/essence-part-2/#comments</comments>
		<pubDate>Thu, 17 Jun 2010 04:28:45 +0000</pubDate>
		<dc:creator>Scott Metz</dc:creator>
				<category><![CDATA[Essences]]></category>
		<category><![CDATA[Cor van den Heuvel]]></category>
		<category><![CDATA[Gary Snyder]]></category>
		<category><![CDATA[gendai]]></category>
		<category><![CDATA[haiku]]></category>
		<category><![CDATA[Jack Kerouac]]></category>
		<category><![CDATA[surrealism]]></category>
		<category><![CDATA[The Dharma Bums]]></category>

		<guid isPermaLink="false">http://www.thehaikufoundation.org/?p=5224</guid>
		<description><![CDATA[Essences explores the roots of the &#8220;haiku movement&#8221; in North America &#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230; Essence #3 (part 2) By Carmen Sterba Carmen Sterba&#8217;s Interview with Cor van den Heuvel 〜Part 2 of 3〜 Carmen Sterba: How much were you influenced by Jack Kerouac? Was it his autobiographical novels or his haiku? Cor van den Heuvel: At that [...]]]></description>
		<wfw:commentRss>http://www.thehaikufoundation.org/2010/06/16/essence-part-2/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
	</channel>
</rss>

