Capturing the minor, but telling tensions and frictions that often characterize human relationships in everyday situations is stock in trade for Roberta Beary’s excellent haiku. Nothing Left to Say, edited by Michael Dylan Welch, is her contribution, graciously ending the … [Read more...]
re:Virals 195
Welcome to re:Virals, The Haiku Foundation’s weekly poem commentary feature on some of the finest haiku ever written in English. This week’s poem was an octopus in her father’s lungs . . . first autumn rain — Reka Nyitrai, Otata 36. Alan Summers presents his … [Read more...]
re:Virals 176
Welcome to re:Virals, The Haiku Foundation’s weekly poem commentary feature on some of the finest haiku ever written in English. This week’s poem was turning away from the pear tree... turning back — Roberta Beary, The Unworn Necklace Snapshot Press (2007) … [Read more...]
re:Virals 175
Welcome to re:Virals, The Haiku Foundation’s weekly poem commentary feature on some of the finest haiku ever written in English. This week’s poem was a line borrowed from another poet spring rain — paul m., Haiku in English: The First Hundred Years … [Read more...]
HaikuLife 2018 Reprised: Caretaker 1 & 2
Each day on the Troutswirl blog we will reprise a film featured in HaikuLife 2018, The Haiku Foundation’s haiku film festival, the only one of its kind. Today’s film: Roberta Beary pairs her piquant poems with art by her brother Kevin in this thematic slide show. Presented here during HaikuLife … [Read more...]
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